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Sri Sri
Ramakrishna Kathamritam
"You have hit Ramakrishna in the right point. Few, alas,
few understand him! The move is quite original and never was the life of a great
teacher brought before the public untarnished by the writer's mind, as you are
doing. The language also is beyond all praise -- so fresh, so pointed and withal
so plain and easy... I now understand why none of us attempted his life before.
It has been reserved for you -- this great work. He is with you evidently... The
Socratic dialogues are Plato all over. You are entirely hidden." -- Swami
Vivekananda to Sri M. on the Kathamrita.
Sri Ramakrishna had asked M. to work for the Divine
Mother, and he did so for fifty years. Even though his health was delicate, he
never gave up working. Swami Nityatmananda wrote of a touching incident in his
memoirs: 'I was responsible for the printing of the Kathamrita [the
Bengali Gospel] while it was at the printer's, but I had many things to
do and was unable to finish the proofreading in time. At one o'clock at night I
saw a light in M.'s room. I entered and found he was reading the proofs of the
Gospel by a kerosene lantern. He was not well at all, and moreover, as he was
working at an odd hour, his eyes were watering. I was pained at this. I lovingly
chastised him and he replied with affection: "People are finding peace by
reading this book, the Master's immortal message. It is inevitable that the body
will meet its end, so it is better that it is used for spreading peace to
others. We are in the world and have utterly experienced how much pain is there,
yet I have forgotten that pain through The Gospel of Sri Ramakrishna. I
am hurrying so that the book may come out soon". Indeed, M. died while the
last portion of the last volume was at the press. He was born to write and teach
The Gospel of Sri Ramakrishna'.
"Whatever appears in the Pure Mind is the voice of God.
That which is Pure Mind is also Pure Buddhi; that again, is Pure Atman, because
there is nothing pure but God." -- Sri Ramakrishna
Read on, about the account of Sri Sri Ramakrishna Kathamrita,
known to the English readers as The Gospel of Sri Ramakrishna.
On his fourth visit to Sri Ramakrishna, M., the author of
this book, found Sri Ramakrishna in his room surrounded by a group of young men.
As soon as M. came in the room, the Master laughed and said to them, 'There! He
has come again'. Then he explained the cause of his laughter: 'A man once fed a
peacock a pill of opium at four o'clock in the afternoon. The next day, exactly
at that time, the peacock came back. It had felt the intoxication of the drug
and returned just in time to have another dose.' For the remaining five years of
the Master's lifetime, M. returned for dose after dose of this divine intoxicant
-- direct association with God Incarnate -- and then shared it freely with other
seekers of God in the form of this most beautiful book. At the beginning of each
volume of the Bengali Gospel, he has quoted a verse from the Gopika
Geetam of the Srimad Bhagavatam:
tava kataamrutam, taptajeevanam
kavibhireeditam kalmashaapaham
shravanamangalam shreemadaatatam
bhuvi grunanti te bhooridaa
janaa
O Lord, your words, like sweet nectar, refresh the afflicted.
Your words, which poets have sung in verses, vanquish the sins of the
worldly. Blessed are they who hear of you, and blessed indeed are they who
speak of you. How great is their reward!'
| As other Incarnations of God
have had someone to witness or collect their teachings, perhaps M. was
this same great soul born |
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again for that purpose. The great teachers of the world keep religion alive. They teach
with the authority of direct experience and transmit power to their disciples,
who in turn spread their teachings among humanity. Sri Ramakrishna
commissioned M. to carry his message, just as he commissioned Swami
Vivekananda. At the Cossipore garden house, the Master wrote on a piece of
paper, 'Naren [Vivekananda] |
| will teach people'. When the young man objected,
the Master told him, 'Your very bones will do it.' Regarding M., Sri
Ramakrishna once said in an ecstatic mood, addressing the Divine Mother:
'Mother, why have you given him only kala [a small part] of power? Oh,
I see. That will be sufficient for your work.' |
Indeed,
after he had been visiting the Master for some time, M. felt the urge to
renounce family life and become a monk. But Sri Ramakrishna had set out a
different path for him and discouraged him from this idea, saying: 'You are
well established in God already. Is it good to give up all?' Another day he
said: 'God binds the Bhagavata pundit to the world with one tie; otherwise,
who would remain to explain the sacred book? He keeps the pundit bound for the
good of men. That is why the Divine Mother has kept you in the world.'
When one of Sri Ramakrishna's devotees asked M. to show him his diary, M.
refused, saying, 'I am writing it for myself, not for others'. Whenever he
would get a little extra time during his work as a teacher, he would retire to
a solitary room on the roof to read his diary and reflect and meditate on the
words of the Master. Once, speaking of the origin of the Gospel, M.
said: 'I was involved in worldly activities, bound to my work, and could not
visit the Master whenever I wished. Therefore I used to note down his words in
order to think about them in the intervals before I met him again, so that the
impressions made on my mind might not be overlaid by the stress of worldly
work and responsibilities. It was thus for my own benefit that I first made
the notes, so that I might realize his teachings more perfectly'.
Like M., Tarak, who later became Swami Shivananda, once started to make notes
of the Master's teachings and conversations, but Sri Ramakrishna forbade him
to do so, and Tarak threw all of his notes into the Ganga. The job of recorder
was earmarked for M. From the Gospel it seems that sometimes the Master
would not begin an important discussion without M. being present. And again,
the Master sometimes asked M. to repeat to him what he had said, and if M. had
not understood it correctly, he would clarify the meaning for him. (See the
entry in the Gospel's dated November 9, 1884.) M.
was gifted with artistic ability and an accurate memory, which enabled him to
faithfully recreate in writing what he had seen and heard. The scenes in the Gospel
are so vividly depicted, that it is as if the reader is being transported to
the very time and place and is watching and listening to the Master and his
devotees. M. had been influenced by the writing of medieval Sanskrit poets
such as Kalidasa and Bhavabhuti and had imbibed the contemplative spirit and
serene atmosphere of the hermitages of ancient India through them. His own
poetic nature can be seen in the descriptive passes in the Gospel, such as the
following:
Sri Ramakrishna was going to the pine-grove. A beautiful,
dark rain-cloud was to be seen in the northwest... After a few minutes M.
and Latu, standing the Panchavati, saw the Master coming back towards them.
Behind him the sky was black with the rain-cloud. Its reflection in the
Ganga made the water darker. The disciples felt that the Master was God
Incarnate, a Divine Child five years old, radiant with the smile of
innocence and purity. Around him were the sacred trees of the Panchavati
under which he had practiced spiritual disciplines and had beheld visions of
God. At his feet flowed the sacred river Ganga, the destroyer of man's sins.
The presence of this God-man charged the trees, shrubs, flowers, plants, and
temples with spiritual fervor and divine joy.
Aldous Huxley wrote in the foreword to the English
translation of the Gospel, 'Making good use of his natural gifts and of
the circumstances in which he found himself, M. produced a book unique, so far
as my knowledge goes, in the literature of hagiography'. One can challenge the
historicity of Christ, Buddha, or Krishna, but no one can challenge the
historicity of Sri Ramakrishna. His conversations are meticulously documented
according to place, persons, time, day, month, and year, and have come
directly from M.'s diary. He himself said: 'My account is not a collection
from other sources. I recorded, whatever I heard with my own ears from the
Master's lips and whatever I saw of his life with my own eyes'. He wrote at
the beginning of each volume of the Bengali edition that there are three kinds
of information about Sri Ramakrishna: The first is recorded by the person who
observed it on the same day as it happened; the second is recorded by the
observer but at a later time; and the third is also recorded at a later time,
but by someone who heard it from someone else. The Gospel belongs to
the first category. M. would struggle to make his account accurate, for he
once said: 'Sometimes I meditated on one scene over a thousand times.
Sometimes I had to wait for a word of the Master to come to mind as a chataka
bird waits for a drop of rainwater to fall'. Although
tautology is a weakness in logic, it is not a weakness in the scriptures. The
scriptures will reiterate the same truth in different ways so that it
penetrates into us. M. was once asked to remove some of the repetitions from
the Gospel, but he replied: 'I cannot do that. Sri Ramakrishna told the
same parable to different people. If I remove a particular section, the train
of the conversation will be broken. Moreover, you won't be able to see the
effect of the Gospel in a particular person's life. You see, sometimes
the brilliance of a diamond is enhanced by changing its setting. Putting it on
the dusty ground gives one effect, and putting it on a green lawn will give
another. But putting it in a blue velvet casket will give the most brilliant
effect of all. The same is true of the words in the Gospel'.
M. was reticent about himself even in the Gospel. His family name was
Mahendra Nath Gupta, but he referred himself always impersonally, using names
such as Mani, Manimohan, Master, a devote, an Englishman (meaning an
English-educated person), a servant, or, most often, M. (in Bengali, Sri Ma).
Among Sri Ramakrishna's immediate circle of devotees, he was known as Master
Mahashay, respected teacher, but since the publishing of the Gospel, he
has come to be known almost universally as M. After the
passing away of Sri Ramakrishna, the other disciples asked M. to publish his
diary, but he was reluctant to do so. However, one day he read some of his
notes to Sri Sarada Devi, the spiritual consort of Sri Ramakrishna, and she
approved of them. M. regarded this as a divine sanction. In 1897 he published
two pamphlets in English under the title The Gospel of Sri Ramakrishna.
A few years later, the Gospel was published in its original Bengali
language in five volumes as Sri Sri Ramakrishna Kathamrita (Volume I was
published in 1902, Volume II in 1904, Volume III in 1908, Volume IV in 1910,
and Volume V in 1932). This was then translated into English by Swami
Nikhilananda and published in one volume in 1942. Swami Vivekananda wrote to
M. in response to the earliest publications: 'You have hit Ramakrishna in the
right point. Few, alas, few understand him!' The move is quite original and
never was the life of a great teacher brought before the public untarnished by
the writer's mind, as you are doing. The language also is beyond all praise --
so fresh, so pointed and withal so plain and easy... I now understand why none
of us attempted his life before. It has been reserved for you -- this great
work. He is with you evidently... The Socratic dialogues are Plato all over.
You are entirely hidden.' In the eye of the lover, every
detail of his beloved's life and activities is important. So it is with the
devotee of God. He has intense interest in all things, places, and persons
associated with God's manifestation on earth. He takes great pleasure in
visiting or hearing about such places, because they make the Lord more real to
him. To the devotees of Sri Ramakrishna, every spot at Dakshineswar is sacred.
M. would sometimes accompany the devotees to the temple garden and would point
out places where special conversations, meetings, or incidents had taken
place. He was never tired of narrating those stories. In the first volume of
the Bengal Gospel and in the first English edition, The
Gospel of Sri Ramakrishna, volume I (published by Ramakrishna
Math, Madras), M. has left a short description of the Dakshineswar temple
garden for future pilgrims, pointing out the places they should see: the bel
tala, where the Master practiced Tantra; the pine grove; the Panchavati, a
sacred grove of five trees (banyan, peepul, neem, amalaki, and bel); the
madhavi-lata plant, which was planted by the Master; the meditation room,
where the Master practiced Vedantic sadhana; the goose tank; the bakultala
ghat; the nahabat, where Sri Sarada Devi lived; the chandni-ghat, where the
Master used to bathe; the flower garden; the Kali temple; the nat-mandir, or
theatre hall; the office rooms and guest rooms; the twelve Shiva temples; the
Radha-Krishna temple; the new image of Krishna and also the old one with the
broken leg, which was repaired by the Master; the southern, northern, and
semi-circular western verandahs around the Master's room; the room itself,
where he lived for sixteen years; the gazi pond; the gazitala, where the
Master practiced Islam; the main gate, the back gate; and the orchard.
Once a devotee told M. that he planned to visit Dakshineswar. M. told him to
prepare himself for the visit. Then, suddenly in an inspired mood, M. said:
'When you see Dakshineswar, you will have an idea of what Sri Ramakrishna'
surroundings were like. The temple garden was the backdrop for divine scenes.
At Dakshineswar you will see the bel tree under which the Master practiced
great Tantric sadhanas. There is the Panchavati, where he went through many
spiritual exercises. You will also see the Master's room. When you enter his
room, visualize the Master seated with his disciples and talking to them on
divine subjects. We always found the Master absorbed in spiritual moods.
Sometimes he would be in samadhi. Sometimes he would be singing and dancing.
At other times he would be talking to the Divine Mother. We were fortunate
enough to see a man who actually talked to the Divine Mother. We were
fortunate enough to see a man whose experiences form, as it were, a living
Veda. It is the revelations of such people that we have to rely upon, not our
"ounce of reason". For the intellect cannot go far in spiritual
matters; it has been weighed and found wanting. Christ said to his disciples,
"I speak of things which I have seen with my own eyes; and yet you
believe me not". One has to put one's faith in the words of a man of
realization. When you go to the temple, you must purify yourself and strip
yourself of all sensuality. Only the pure in heart can see God. You must also
open yourself to the Master's presence and influence. This pilgrimage to
Dakshineswar will help you a good deal in progression towards
God-realization'. On another occasion M. advised: 'One
should see everything connected with the Master in detail. For example, in the
Master's room there are cots, a jar containing Ganga water, pictures of gods
and goddesses - Kali, Krishna, Rama, Chaitanya and his kirtan party, Dhruva,
Prahlad, Christ extending his hand to the drowning Peter, and a white marble
image of Buddha, which was given to him by Queen Katyayani, the wife of
Lalababu. There was a picture of the goddess of learning on the western wall.
Whenever a new person would come, the Master would look at the picture and
pray, "Mother, I am an unlettered person. Please sit on my tongue",
and then he would speak to him. If a person can imprint these divine sights on
his mind, he will have deep meditations, and even sitting at home he can live
at Dakshineswar with the Master'. M. made a wonderful
comment about Dakshineswar: 'The spiritual fire is blazing intensely there,
and whoever goes there will be purified. The body does not burn, but mental
impurities are consumed in no time. Then a man can attain immortality. God
himself, in a physical form, lived there for thirty years! One can tangibly
feel the spirituality at Dakshineswar'. There is a
beautiful verse in the Sri Sri Chaitanya Charitamrita: Adyapiha sei lila
kare gora rai, kono kono bhagyavane dekhibare pai. 'Chaitanya is still
performing his divine play; only the fortunate ones can see it'. Sri
Ramakrishna's divine presence is still at Dakshineswar, and the temple garden
is not much different today than the way it was during his lifetime. But until
we are able to see the eternal play of the Master at Dakshineswar, like the
fortunate ones who see the play of Chaitanya, we are indebted to M. for his
devoted firsthand account of what took place. Once Miss
Josephine MacLeod asked M., 'What was your experience of Sri Ramakrishna?' M.
replied: 'He was always conscious of God. He was never separated from that
state, and we saw him twenty-four hours a day. This is not possible for an
ordinary God-realized man, but only when God incarnates in a human body. He
declared that in his body Satchidananda had descended on earth. One day he
told me, "Christ, Chaitanyadeva, and I are one and the same entity".
When he thus revealed his real nature to us, we would feel bewildered and
wonder, "Is this the temple priest or God himself speaking?" '
Miss MacLeod: 'How did he speak to you?' M.: 'He told us,
"The Mother of the Universe speaks through my lips". He spoke from
inspiration. One several occasions he said, "I am an illiterate man, but
Mother pushes heaps of knowledge to me from behind" '.
Sri Ramakrishna had asked M. to work for the Divine Mother, and he did so for
fifty years. Even though his health was delicate, he never gave up working.
Swami Nityatmananda wrote of a touching incident in his memoirs: 'I was
responsible for the printing of the Kathamrita [the Bengali Gospel]
while it was at the printer's, but I had many things to do and was unable to
finish the proofreading in time. At one o'clock at night I saw a light in M.'s
room. I entered and found he was reading the proofs of the Gospel by a
kerosene lantern. He was not well at all, and moreover, as he was working at
an odd hour, his eyes were watering. I was pained at this. I lovingly
chastised him and he replied with affection: "People are finding peace by
reading this book, the Master's immortal message. It is inevitable that the
body will meet its end, so it is better that it is used for spreading peace to
others. We are in the world and have utterly experienced how much pain is
there, yet I have forgotten that pain through The Gospel of Sri Ramakrishna.
I am hurrying so that the book may come out soon". Indeed, M. died while
the last portion of the last volume was at the press. He was born to write and
teach The Gospel of Sri Ramakrishna'. On June 4,
1932, M. left his body in full consciousness. He breathed his last saying this
prayer, 'Mother -- Guru Deva -- take me up in thy arms'. The Mother took her
child up in her arms and the curtain fell. When M. would
talk about Sri Ramakrishna, he would have no body-consciousness. It seemed as
though his soul was trying its utmost to break out of its cage of name and
form, trying to encompass the Infinite. His love and devotion for Sri
Ramakrishna was so great, it would spread to those who heard him speak. One
day in an inspired mood, M. was trying to describe his Master. He said:
'The Master was like a five-year-old boy always running to
meet his Mother. 'The Master was like a bonfire from
which other lamps were lighted. ' The Master was
like a celestial vina always absorbed in singing the glory of the Divine
Mother. 'The Master was like a big fish joyfully
swimming in calm, clear, blue waters, the Ocean of Satchidananda. 'The
Master was like a bird which had list its nest in a storm and then, perched
on the threshold of the Infinite, was joyfully moving between the two
realms, singing the glory of the Infinite'.
After trying to describe the Master in many ways, he
said that all these similes were inadequate. The Infinite cannot be expressed
in words. M. offered his life at the feet of his guru and
attained eternal life, and through his great life's work, The Gospel of
Ramakrishna, he has been immortalized. (The above has
been abridged and slightly adapted from the beautiful book "They Lived
With God" - by Swami Chetanananda, published by the Advaita Ashrama)
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